In 1991, the location of the Circular Hill depicted by Lt. Emory on his topographical sketch, had been identified by the same “local surveyor and avid Mexican War enthusiast” at the San Pasqual Battlefield Visitor’s Center. He showed the circular hill as being located at 16789 San Pasqual Valley Road where today, the office-trailer facility sits for the Witman Ranch.

This simple circular hill drawn on Lt. Emory’s sketch is one of the most fascinating depictions drawn of the entire battlefield. The reason is that this hill plays no significant role in the battle, unlike for example, the Indian Village or, either of the engagement sites. All it really shows is that at some point after the American soldiers came down, off of San Pasqual Hill, they crossed a water tributary and, rode into their first engagement with the Californios.

The Circular Hill seems to serve no real purpose yet, it is one of the most detailed items drawn by Emory on his sketch of the San Pasqual Battlefield. It is a prominent depiction indeed.

The Circular Hill is seen to buffer the water tributary as well as buffer both the east and western walls of the San Pasqual Valley. Knowing that there is no hill in the middle of the valley floor that is this large, or that buffers both the eastern and western valley walls, it is obvious that what Emory was trying to show us must be interpreted.

The local surveyor and Mexican War enthusiast had never published his reason for how he concluded that 16789 San Pasqual Valley Road was in fact Emory’s Circular Hill. However, to his credit, he was not the only local historian to home in on this location. Others had too.

 

Circular Hill originally identified by the local surveyor and Mexican War Enthusiast – Courtesy of SPBSLP

 

This is understandable. The San Dieguito River went right by its base just as the circular hill is portrayed on Emory’s sketch. The reenactments of this famous battle were held right next to it at where supposedly the 1st engagement of the battle occurred at. Again, just as Emory denotes it on his sketch.

While the knoll located at 16789 San Pasqual Valley Road seems to lack the extreme roundness and steepness detailed on Emory’s sketch, the local surveyor had an explanation for this. He explained that many years prior, it was reported that the location of 16789 San Pasqual Valley Road was lowered by a few feet when a building was erected on the site. This information appears corroborated. This quote comes from notes taken by local historian Cloyd Sorensen who interviewed San Pasqual Valley Pioneer, Mary Rockwood Peet in 1968:

 

Mr. Rockwood was once the Road Supervisor in the valley and when they were doing some road work near the San Pasqual Union School they found a grave across from the Indian Cemetery. The road ran between the river and around the side of the hill that at present has been lowered a few feet. Possibly the small round hill that Emory shows on his map as being next to the site of the first battle with the Californians.

Mary Rockwood Peet

 

Indeed, one could interpret Emory’s sketch using the local surveyor’s knoll as being the same as Emory’s Circular Hill. Besides, where else could such a hill, so prominently depicted in such detail on Emory’s sketch possibly be? So, this is how Emory’s sketch location of the Circular Hill had been interpreted for a long time.

The first thing observed by the SLP of Emory’s depiction of the Circular Hill was how detailed it was, especially in showing size, steepness, and roundness. In fact, the Circular Hill almost rivals in size, the two hills shown south of the 2nd engagement site. To stand on top of San Pasqual Hill and look across the valley at 16789 San Pasqual Valley Road, it simply did not look like a true “hill” at all. It was definitely nothing close to the roundness, steepness, and size shown on Emory’s sketch. It was difficult to imagine Emory making the local war enthusiast’s knoll, look like this on the sketch.

In an interview conducted with William “Bill” Witman in 1993, his take on the hill being lowered “a few feet” was that it was simply “leveled” out to be built on. Looking at the above pictures of the hill, indeed, even a few feet taller, the hill would still not look even close to Emory’s sketch.

To bring this point home even further, an extremely magnified section of an archive photograph found in the San Diego Historical Society Archives, dated 1895, was studied. It is photograph # 81:10959 and labeled, “San Pasqual – Ramona’s Child Burial Place.” When viewing the photograph, a person needs to look closely towards the right-from-center, just behind the adobe wall, at the white structure featuring two chimneys. The white structure with two chimneys is sitting atop the local surveyor’s ‘knoll’. One can see for themselves that even in 1895, before it was “leveled” or “lowered,” how it shows no definitive roundness or steepness as depicted in Emory’s sketch.

 

Note white structure with two chimneys to left of adobe wall towards right of pic. Same is sitting on top of initially identified “Circular Hill” – Courtesy of SPBSLP

 

The next issue with the SLP was that it was now known that the San Dieguito River did not flow by the base of this knoll in 1846. It flowed down the middle of the valley floor, cutting southward and, merging with the Santa Maria Creek on the other side of the valley floor. There is no evidence to show that the Rio Bernardo (San Dieguito) River in 1846 flowed on the north side of the San Pasqual Valley floor, where the Battlefield Museum is today located. Geologists, the San Pasqual Indians, and early White Settler families in the San Pasqual Valley, will testify that the river originally flowed down the middle of the valley floor and eventually southward toward the Santa Maria Creek before being permanently routed along the north side of the valley floor. The permanent routing of where the river is today, was a result in-part, for flood control purposes, in an effort to protect the farmers in the valley from their fields being wiped out by occasional flooding by the river.

Even Lt. Emory’s topo sketch clearly shows the river buffering the south side of the valley floor along San Pasqual Hill and not the north side. Once the caretta road crosses over the river on a northwest bearing and, moving towards and parallel along the northern side of the valley floor, the river is clearly seen staying way south of the caretta road. Not on the north side of the valley floor as the local surveyor and avid Mexican War enthusiast was claiming.

Emory shows it is the caretta road that hugs the northern side of the valley floor, not the river. Again, there is no evidence to support that the Rio Bernardo (San Dieguito) River ever flowed on the north side of the river in 1846.

The first step for the SLP was to identify the correct location of the descent road that Kearny’s soldiers took coming down San Pasqual Hill. Once the correct road was established by the SLP, it almost immediately led to the finding of the true “Circular Hill.”

 

SLP-Circular Hill or known as the “First Hill” as seen from SLP-Descent Road. Photo courtesy of SPBSLP

 

The resemblance of the circular hill sketched by Emory was remarkable!

The SLP-Circular Hill lied directly below the SLP-Descent Road. In other words, General Kearny and his soldiers saw this tall, steep, and very rounded hill as they made the slow descent down San Pasqual Hill on the morning of December 6, 1846.

 

Looking south from Battlefield Museum, SLP-Circular Hill is seen (trees on top) just below SLP-Descent Road as it winds down San Pasqual Hill. Photo courtesy of SPBSLP

 

On Emory’s topographical sketch shown earlier, you can see how massive of a formation it truly is. No wonder a topographical engineer with the Army would sketch it as large and detailed as he did.

 

Comparison photos showing “local surveyor’s” circular hill (L) and Circular Hill identified by SLBSLP (R)

 

However, if the hill was not an important location or, had some sort of relevance to the battle, why did Emory exert so much effort in the hill’s detail and prominence on his map? The SLP believes there are two reasons.

The SLP believes this hill is the “first hill,” as referenced by two separate military officers, from two separate branches of the military. At least two officers involved in the Battle of San Pasqual, refer to the same hill. Both refer to it as the “first hill.” It is apparent that it is the same hill, located at the base of the larger San Pasqual Hill.

 

 … and one [Californio] even followed almost to the top of the first hill. 

Capt. Gillespie

 

 The general directed me to take a party of men and go back for Major Swords and his party. We met at the foot of the first hill, a mile in the rear of the enemy’s first position. 

Lt. Emory

 

The SLP believed that the “first hill” they were referring to is the first hill at the base of San Pasqual Hill, now referred to as the SLP-Circular Hill. There is no other hill at the base of San Pasqual Hill where the descent road drops down onto the valley floor.

Indeed, if officers from different branches of service are referring to this same hill as a reference point during this battle, and evidenced by their later reports, this was surely a hill that Emory would have wanted to document.

The other reason that Emory put so much detail into this circular hill is that it is part of a vortex (if you will) into the theater of war. Emory probably started his sketch at the beginning, where they start descending down San Pasqual Hill. It is from this descent down onto the valley floor that they are almost instantly thrust into the Battle of San Pasqual. A very large event, both militarily and politically speaking, especially when considering how many dead and wounded Americans resulted from same.

Emory started out in large detail showing how they descended the hill, surrounded with three primary initial landmarks:

  • The Circular Hill
  • The water tributary between them and the Circular Hill
  • The tail-end of the road that finally dropped them down onto the valley floor

The mistake is how this part of Emory’s sketch is interpreted.

Careful research of Emory’s sketch showing the road descending down San Pasqual Hill onto the valley floor, shows us something, although very subtle, also very dramatic. It is a ninety-degree turn. This is a rare feature for Emory on this sketch.

 

90° turn depicted by Lt. Emory on Topo-Sketch of Descent Road down San Pasqual Hill – Courtesy of SPBSLP

 

The trail, running along top of San Pasqual Hill, is a ridgeline riding the very top of the mountain. On any aerial or map, the top of the hill shows equal volume of earth descending down the slopes of the south and northern sides, as the top of the ridgeline rides the very center. How would the caretta road be depicted if it went down the northern side of San Pasqual Hill?

What Emory clearly shows us is much more darkened ink area denoted to the right side of the descending hill, versus, the much less use of darkened area and ink utilized to the left. This is done intentionally as it shows more of the hill to their left as they are descending down the SLP-Descent Road (caretta road) and, the existing steep embankment to their right.

 

* * *

The Silver Dons Photograph

 

The largest single issue used to dispel the SLP’s location for the Circular Hill on the southern side of the valley floor was the fact that the Circular Hill identified by the SLP was actually a 3-sided hill only. The fourth side (facing south) was connected by land to the San Pasqual Hill. In fact, farm vehicles drove over it, to-and-fro between both hills.  This instantly ended the notion that, like shown on Emory’s map, the Rio Bernardo River flowed between Circular Hill and San Pasqual Hill.

 

Looking east at Circular Hill, the peak is almost level with the earthen bridge/dam seen connecting southeast to the face of San Pasqual Hill. Aerial photograph courtesy of Google Earth.

 

 

However, the SLP felt it had identified the right hill. The next question became, “Was the fourth side of the Circular Hill manmade or natural?” Had an earthen dam been built at this site by early pioneer families in the valley? To confirm this one way or another, a geologist would have to conduct a study of the land mass connecting both hills and establish its origins.

The SLP however, never got around to this task and the question remained left unanswered for many decades. This suddenly changed upon the discovery of yet another archive photograph.

Of the few historical photographs that exist of San Pasqual Hill from the late 19th century and early 20th century, almost all had been taken from the north side of the valley floor, looking south.  None showed the backside of Circular Hill.  However, one photograph surfaced, taken from the air, south of San Pasqual and giving a bird’s eye view of both San Pasqual Hill and Circular Hill including the entire battlefield looking west.

The photograph was found in a book entitled “The History of San Diego – The Silver Dons.” The book was commissioned by James Copley of the Copley Press and written by San Diego Union’s editor, Richard Pourade. The photograph was found in the 1963, 3rd edition of this book and was simply captioned as showing a Jeep trail supposedly showing the Kearny Trail as it went down San Pasqual Hill. While it is not clearly known who took the photograph, it is believed to have been taken by the San Diego Union Newspaper. It is suspected to have been taken around 1920. It is noted that the San Pasqual School House (at today’s San Diego Archaeological Center), built in 1923, is not visible in the photograph.

 

The ‘Silver Dons Photograph’ looks northwest with San Pasqual Hill in the foreground and ‘Circular Hill’ just to the far right. Described as a jeep trail in the book, “Old Survey Road” is seen going down and around San Pasqual Hill. Photo by San Diego Union

 

 

The first thing noticed of Circular Hill in the Silver Dons Photograph is that it clearly is a 4-sided hill and not 3-sided as it is today. Further, the photograph clearly shows a distinctive and open riverbed running just southeast of the hill. This is especially visible with torn, sandy and rocky riverbed exposed.

 

Enlargement of Circular Hill from Silver Dons Photograph.

 

 

Study of this photograph shows the open riverbed on the southeast side. Though it continues westward, it changes in coloration indicating vegetation growing from this point onward. This would be consistent with an east-west flowing river that has been dammed. The SLP believes that a low-elevated, raised earthen berm had already been emplaced at the time of this photograph, quite possibly to curtail flood waters from the river as houses can clearly be seen downriver as well as dairy operations.

This shows as further evidence that the Rio Bernardo flowed between Circular and San Pasqual Hills, just as Lt. Emory depicted in his sketch. If an earthen berm was placed at this point, stopping the flow of the river from east to west (and towards the ocean), the water would be stopped at this point and collect southeast of Circular Hill leaving a dry river bed exposed as seen in this photograph. However, cut-off from any further river flow west of the berm, the river bed would eventually begin to sprout vegetation which is what is observed westward of this point. This is consistent with an earthen dam at this location.

From the Silver Dons Photograph, it is clear that agricultural entities continued building up the earthen berm to the extravagant height and mass that it is today, nearly equal in height to the peak itself. Even today, dry riverbed is observed on both sides of the earthen bridge/dam.

Looking closely at Emory’s topographical sketch, he shows the river literally impacting with the east side of Circular Hill before rerouting itself around its southern side. It is not coincidence that the Silver Dons Photograph clearly shows white, sandy, river soil pushed up high on its eastern side only.

 

Emory sketch shows the river impacting with the east side of circular Hill and then routing itself around the south side.

 

 

It is no coincidence that both Emory and the author’s depiction of how the river flowed around Circular Hill both create the same exact ‘half-curve.’ This is impossible if applied to the circular hill, proposed by the “local surveyor and Mexican War enthusiast,” showing it on the north side of the valley floor, adjacent Highway 78, opposite the San Diego Archaeological Center.

 

 

Notice the similarity between the half-curve featured in Emory’s sketch and that of the author’s, showing where the Rio Bernardo flowed around the Circular Hill.

 

 

Further, had Circular Hill been only 3-sided as it is today, such would have posed another interesting question. On the night of December 5th, 1846, several Californios mount horses and ride in pursuit of Lt. Hammond’s botch reconnaissance party. With the Americans already moving up San Pasqual Hill on the caretta road or Kearny Trail, Captain Gillespie writes that “… one [Californio] even followed almost to the top of the first hill.” The 1st hill has been identified by the SLP as Circular Hill.

The question is this: If Circular Hill in 1846 was only 3-sided as it is today, with a bridge/dam almost equal in height to the peak itself, then why didn’t the Californios simply ride onto San Pasqual Hill to stop and capture the American reconnaissance party? Especially since the caretta road (or Kearny Trail) going up San Pasqual Hill was in such close proximity? It is known from second-hand accounts of the Californios that they were close enough to yell obscenities up at the Americans as they rode up the hill. The Mexicans yelled up to the American scouting party, “Viva California, Baja Los Americanos, Hihos De – – – -.” or “Live California, down with the Americans, Sons of a Bitches.” Why would they have stopped once they reached the Circular Hill or “first hill”?

 

 

On December 5th, 1846, Californios ride to the “first hill” [Circular Hill] but make no attempt to stop the Americans, fleeing back up on Kearny’s Descent Road.

 

They stopped because they could not cross over to San Pasqual Hill from the “first hill” (Circular Hill) as they can today on the earthen bridge that currently exists. That is because it did not exist in 1846 as the Silver Dons Photograph now clearly shows us. Instead, they would have been forced down into the riverbed (as Emory sketched) in order to get back up to San Pasqual Hill. This may not have been possible with horses at this location plus not tactically sound. This, even though the caretta road is very close to the present-day earthen bridge and would be nothing for mounted horsemen to ride right up onto the road and cut the Americans off. The Californios stopped near the top of Circular Hill because there was no way to cross the riverbed at that point onto San Pasqual Hill.

 

Study of infrared photography clearly shows the manmade earthen dam/bridge in white, connecting the Circular Hill peak with San Pasqual Hill. Blue dots denote the original route of the Rio Bernardo River between both hills in 1846. Photo courtesy of the SPBSLP

 

 

It is not a coincidence that it over a hundred years of agriculture, all around Circular Hill, you see no evidence of crops or groves ever being planted in the suspected path of the Rio Bernardo River as shown by both Emory and the author. That is because farmers do not plant crops or groves in riverbeds. Sandy soil (vs. top soil) and flood-control issues prevent this.

 

 

The route of the Rio Bernardo River around Circular Hill in 1846.

 

 

If you study Emory’s sketch, after the 90-degree turn, the soldiers drop straight down, brushing right pass the Circular Hill. Then, they cross over the water tributary (which was dry at the time) which on Emory’s sketch, flows all the way towards Mule Hill. This is later identified as the Rio Bernardo. As seen on the SLP Descent Road, the SLP-Circular Hill and 90° turn has a road that drops straight down and past the Circular Hill. It bears due northwest as we know the Caretta road did, heading across the valley floor and towards the “rocky point.”

When you look at a modern aerial view of this exact location, it fits almost perfectly with Emory’s sketch. The dry riverbed is still visible there on its southwest side. They would have had to cross it somewhere at the hill’s base. You can see how the riverbed still hugs the southwest base of the Circular Hill and how the road (after the 90-degree turn) brings them right down to it where they would have had to then cross it.

Where the exact cross-point is that they took through the dry riverbed is unknown. But further research may put it in very close proximity to the Circular Hill. The river of course has been rerouted onto the north side of the valley floor and an asphalt road now runs by the base of San Pasqual Hill today. Further analysis and study of the SLP-Descent Road trajectory and where it meets the valley floor might finally reveal where it emptied out as it headed out towards the rocky point.

Merging as one, the Rio Bernardo (San Dieguito) River flowed right into the Santa Maria Creek and onward towards Mule Hill. The Rio Bernardo River, and the Santa Maria Creek were in fact, all one main water system moving westward down the valley floor towards the ocean. This is why it appears as one tributary, running due southwest.

What is also significant is that Emory’s sketch does not go at all beyond the Circular Hill due eastward. There is nothing on Emory’s sketch to suggest that anything at all exists beyond the Circular Hill due east. The truth is we don’t know, nor, have any evidence to suggest, that Emory had the time, ability, or knowledge to be aware of anything eastward, in the opposite direction of the battle. Based on Emory’s sketch it is safe to assume that all his attention was focused on everything that occurred at the Battle of San Pasqual – located due north and west of San Pasqual Hill.

Returning to the Circular Hill, one guess has been that Emory may have started his sketch in the upper-right hand corner of the parchment paper. He began to detail in a very large scale, the initial descent down the hill and into the 1st engagement of the battle when, he recognized that he was not going to have enough room to sketch in everything else pertaining to the battle. So, he begins to scale down so that he can fit it all on the sheet of paper he is working on.

You can see this as he compresses the entire 1st engagement location and Indian Village from the base of San Pasqual Hill on the sketch. Despite this, we know from the soldiers themselves that there was much movement and happenings at this location, covering distances from ½ to 1 mile or more. In fact, it seems as if Emory committed more space and ink on his sketch to the high elevational mountains in the background, which were not involved in the battle at all.

 

San Diego Historical Society Archives, circa 1895 photograph, shows both reputed Circular Hills. Courtesy of SPBSLP

 

The SLP believes that the large circular hill located at the base of San Pasqual Hill is indeed the “first hill” referenced by military officers in this battle and is the ‘Circular Hill’ depicted by Emory on his sketch of the battlefield.